Beholden to the rubbery overdrive David Sardy pushed through, Barkmarket, and various ’90s production work with Quicksand, Orange 9 MM, and Cop Shoot Cop.
It was a good idea the first time, and it’s a good idea now, although four discs worth of ’70s covers does seem to be pushing things to the saturation point.
Very cool two-disc comp of up and coming biker, swagger, and stoner rock bands, all of whom are sure to please if you’re a fan of whiskey, weed, and women.
This limited-edition five-song EP finds Throttlerod backing off from the full-on riff-rock pummel of their previous two releases in favor of a quieter stance.
Hell and High Water coheres better than its predecessor, helped by the record’s impeccable production, everything sounding huge and beautiful and crushing.
Sucking the ’70s succeeds where so many before have failed because the concept encapsulates such a large chunk of space and encourages bands to take chances.