Millencolin guitarist/vocalist Nikola Sarcevic has gone acoustic for his solo debut. Irresistible melodies stripped of fast tempos and flashy guitar licks.
Expanding upon the first five-song installment, Part 2 sees Napalm Death again tackling old hardcore, thrash, and death favorites, both unknown and familiar.
Similar to Tristeza or an instrumental American Football, the Ohio quintet handle subtlety like a snakecharmer, using unseen forces to slowly guide inertia.
On top of Spiritualized’s sweeping grandiosity and The Flaming Lips’ chipper psychedelia, The Helio Sequence dumped a shitload of homemade electronics.
This has cohesion and a slow-burning eroticism as well as Alpha’s trademark ’70s AM gold popcraft, capturing both the Bacharachian mood as well as the songs.
Still got that “classic” Swedish death sound: Unmistakably gnarly guitars, fuzzy production, semi-melodic riffs (but not Gothenburg melodic), and quick tempos.
The Art of Dying is the sound of a creative entity so far beyond rudimentary thrash, that they can’t even fake their discomfort in “returning to roots.”
Others struggle to project the dreamy, seductive, atmospheric, and “soul” aesthetics of the genre, Zero 7 sew together better songs with better surroundings.
Latin, jazz, world music, post-rock (they’re from Chicago, after all), prog rock, IDM, all distilled of their essence and reborn as It’s All Around You.