Drawing on snappy stuff from the Dictators, MC5, Springsteen, U.S. punk, garage rock, cool indie stroke saddle-up, this thing’s ready to take you for a ride.
Bombastic moments break up the day, but it’s generally innocuous stuff. “Brightside” is the highlight, with its natural progression and pleasing add-ons.
Bright, clean leads soar like eagles over dark jungle chord progressions. Fuzzed vocals are shouted with the battlecry intensity of sex, death, and revolution.
Westerberg’s new album is made up of two discs, Stereo, and Mono. The former is earnest, well-crafted melodic rock. Mono is noisy and fun, punky pop rock.
Not riff-oriented emo, but vocal-centered “song”-craft that brings to mind later Chamberlain. A step in the right direction (after eight friggin’ years).
Veterans of pre-Nevermind Seattle cornerstones Pon and Sprinkler have resurfaced. A post-youth journey into reflection, knowledge, and appreciation of aging.