Since 1980, they’ve been firing out their angst-filled music. After a hiatus, they still blast the world with its distinctive, technologically-enhanced sound.
These three loud individuals have been around and learned how to play simply very well, with suicidal/body count ranting and a touch of speed guitar flash.
From the first, anthemic notes of “Outside Looking In” to the drum work on “Monument,” the disc has plenty of audio tidbits for the avid music dissector.
Beatlesesque orchestration gone futurist, punk-metal guitars chugs, breathy glamboy vocals, slick pop synths with angelic choirs, and country rock jams. Huh?
Jennifer Trynin played tight and fast. Jennifer broke into some funky riffs and strange chords with lots of distortion tricks. She’s got a low, strong voice.