Lollipop Magazine

February 1, 1995

This five-cut EP reintroduces Pig (Raymond Watts) as a permanent member of KMFDM.

February 1, 1995

This is disappointing, watered-down, mundane jangle pop. There’s talent here, but not in the writing.

February 1, 1995

They may bring up a few associations in your auditory memory, but they’ll do it with the force and wickedness of an M-1 tank.

February 1, 1995

Punky, mainly because it sounds terrible and no one plays very well. They suck, but they’re fun.

February 1, 1995

Shiver is not half bad in the final analysis, and even at their worst, they’re still more listenable than, say, Christian Death.

February 1, 1995

Kinda Bosstones, more on the ska side. Good humor, vocals, great recording. Throw in some fun rap verses, and you got a great tape.

February 1, 1995

Littered with stuttering, disjointed rhythms, noisy, dissonant guitar lines that occasionally lean towards metal, and screamed and growled vocals.

February 1, 1995

Naked Rhythm have alternative pop radio written all over them and sound like a fun live band. Phil Varone, drummer of Saigon Kick, produced.

February 1, 1995

Live at San Quentin is creepy: The lone guitar in a jail cell, poorly played, a feeling of resignation mixed with rebellion pervades it.

February 1, 1995

Noisy, punky garage rock on a low budget. Of the three songs, the least annoying is “Los Angeles.” It’s charmingly useless, but kinda fun.