Tool – Ænima – Review November 1, 1996 Anyone else attempting to sing like Maynard James Keenan would sound like a tunnel. Keenan produces a sound that’s aboriginal and futuristic at the same time.
Toenut – Danger! Humans Approach” – Review November 1, 1996 Honey-dipped female vocals set to strange timings and daintily awkward instrumentation can be a very good thing as long as it doesn’t feel forced.
Throwing Muses – Limbo – Review November 1, 1996 Throwing Muses has a deep well from which to draw, and the most recent result is Limbo, an assemblage of darkly intense and sometimes hypnotic pieces.
The Toasters – Hard Band For Dead – Review November 1, 1996 As the third wave of ska nurtures a plethora of upshot bands from high schools, only a few will achieve the longevity and creativity of The Toasters.
The Tear Garden – To Be An Angel Blind,The Cripple Soul Divide – Review November 1, 1996 The latest installment in the ongoing electroluxurious side-project featuring Edward Ka-Spel (Legendary Pink Dots) and cevin Key (Skinny Puppy).
The Satelliters – Hi Karate – Review November 1, 1996 From the Kinks “All Day And All Of The Night,” to the Beatles imitation “1000 Ways,” to the psychotic “Murder In The Moors,” these guys have it down.
The Ray-Ons – 2 Too Many – Review November 1, 1996 Sped up garage, Cramps-style. It might be good, it might be bad. I can’t tell ’cause the sound quality’s so poor.
The Maggots – “Staff” / “Uptight” – Review November 1, 1996 Yet another pop punk record. They go for that crisp mid-’80s sound, with alcohol-drenched melody that steers clear of the trendy ’90s stuff.
The Hives – Oh Lord! When? How? – Review November 1, 1996 Beats we can slam, pogo, and skank to. Six songs from Swedish punks with a sense of humor, a sense of style, and energy to burn.
The Hi Hats – Ska Got Soul – Review November 1, 1996 Fuller sounding, bigger bass, and better horn presence, along with a faster, more upbeat tempo banish the older versions to sit on the shelf.