Life as a shortie shouldn’t be so rough. I was the naive kid who didn’t know he was a year too old to be wearing Underoos (hey, they were fun to wear).
Most crouched fearful and dying in crumbling basements, under mattresses and couch cushions, wailing and bewildered, but a handful of the once proud and strongest as if summoned staggered beaten and bewildered to the lake shore. … You’re going to be late for work if you don’t hurry up. … I know.
Where songs on Building were crammed with emotion, this new batch seem tired and stricken with ADD. Mid to slow tempos, accompanied by over-saturated guitars.
If Seattle drug bands coppin’ Mike Ness’ roots rock with readymade choruses wet yer panties, then 4 Hr. Ramona is better than a variable-speed vibrator.
Similar to bands like Cemetery, Dreadful Shadows, and Evereve, Sculpture mix the metal with the moodiness and have produced some fine, heavy Goth rock.
It has subtle elements of pagan celebration and folklore, but this motherfucker starts in high gear and spends the whole 50 minutes flying by blurred scenery.
No Innocent Victim plays old-meets-new-school hardcore with plenty of fast parts, not-so-fast parts, chugging parts, mosh parts, stomp parts, and polka beats.