Half Japanese, half American hardcore, many of the names here are familiar, and the others are the Japanese bands that make this comp worth listening to.
How better to offer tribute to a band that criss-crossed punk, hardcore, metal, and reggae than to have a long and diverse comp that’s practically unlistenable?
Maybe some of these bands will release their greatest work in the new millennium. They’ve tried the grunge thing, and they can only rehash their old tunes so many times before even the-stuck-in-the-’80s-fans realize they’re being duped.
There are too many bands with too little to say. People have told me it’s hard to write a great song. Really? If you can’t write enough good songs, you’re in the wrong fuckin’ line of work.
As usual, there’re a few moments of beauty, and a lot of bands you’ve never heard of doing covers of songs that were just fine before they touched them.
It’s good to hear traditional hardcore punk rock, especially since punk rock has turned into peppy pop and hardcore has turned into poorly-written metal.
It’s possible, then, that people in the year 3K might look back and say, “You know, those people back in the year 2000 were a bunch of fuckin’ douche bags, but look at this article here. This guy Ham seemed to’ve evolved himself into a sort of non-ape.”
As if Kiss weren’t enough of a parody, here’s the Dwell Records treatment of Kiss classics, as performed by mediocre death’n’growl bands you’ve never heard of.
Not just eighth-rate death metal, there’s garage, semi-industrial, punk, hard rock, and, um, bad bar rock bands. Most choose material from the first albums.