Joe writes about how the culture, SST Records, and the people who fueled it hammered at being the real full-on thing, not a negatively-defined counter-culture.
Where last year’s Down In Albion gave a medicine-headed snapshot of the singer’s opiate use, Shotter’s Nation has a clarity and energy that the former lacked.
Aeon borrow the eerie intervals and dirges of Morbid Angel, Legion-era Deicide’s rhythmic mastery, and new Cannibal Corpse’s penchant for quick tempo changes.
Matt Pryor started The New Amsterdams when The Get Up Kids were still active, devoting his folkier/mellower output to the moniker. They’ve never sounded better.
The spurting post-Zep string strangle winnowed through The Cult’s resurrection of that feel via the best moments of late ’80’s “hey baby” cock rockery.
The character and environment concepts are all over the map and don’t adhere to any theme that could help this title stand out in the crowded tennis field.
The motion-sensing actions of Wii Sports transferred to a carnival setting of familiar mini-games. Some (Skeeball) are much better than others (Ring Toss).
Chthonic on their turf, playing to thousands of screaming Taiwanese fans with a backing choir, laser light shows, and, of course, the prerequisite corpse paint.