Live at Knebworth – entitled Live Summer 2003 outside of the UK (not released in the U.S. under any title) – features the highlights of the performances over 375,000 people saw over the three nights in August 2003.
Grip Inc. roars like a warhorse mismatched from three warhorses, the band fit together to make a unique cross between Slayer, Anglo hooligan hardcore, and Egyptian melodies.
Absolutely adorable in a Ben Kweller/Ben Folds singer/songwriter kind of way. Since 1994, cousins Gabe Archer and Cameron Nicklaus have been writing and recording melodic power-pop that has brains and brawn.
This new EP offers remixes and instrumental interpretations of songs from their last full-length, the highly-acclaimed Neon Golden, featuring such guest knob-twiddlers as Four Tet, Manitoba, Loopspool, and the band’s own Console.
What do you get when you mix the sugary drum machine synth-pop of The All-American Rejects, the sweet bouncy melodies of New Found Glory, and the random screaming of Taking Back Sunday? Boys Night Out’s Make Yourself Sick.
A collection of unreleased tracks and remixes from her last, stunning full-length, Daybreaker, this is an eclectic batch that covers everything from Beth Orton solo acoustic to Beth Orton dance party goddess.
Sirens and Condolences, is absolutely awesome. It’s morbid, melodic rock that’s catchy and intense, with rough guitar solos, gentle, brooding vocals and lyrics that are masochistic and often murderous.
Danny has written most of the record, but Anathema have turned in a fairly single-mooded, periodically guitary record, one that is equal parts Radiohead, Porcupine Tree, and late ’90s Anathema.
A 10-track collection that’s not geared to the dance floor, but more towards the ears of the listener. It offers complex soundscapes and strong songwriting that makes you listen deeper and deeper into the album.