Bands – Page 736 – Lollipop Magazine

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[ August 10, 2026 ] Cartilage Deliver Operating Altar and 2026 Tour Dates – News News
[ August 9, 2026 ] Russian Circles – Eluvial – Music Stream Bands
[ August 7, 2026 ] Alice Cooper Announces Fall 2026 Leg of “Alice’s Attic” Tour – News News
[ August 6, 2026 ] Black Flag Announces Extensive 2026 US Tour – News News
[ August 5, 2026 ] Hatebreed Announce Fatal Paradox and more 2026 Tour Dates – News News
[ August 4, 2026 ] The Well Share “New Hallelujah For The Damned” and 2026 Tour Dates – News News
[ August 3, 2026 ] Bad Nerves Release “Network” and 2026 Tour Dates – News News
[ August 2, 2026 ] Dinosaur Jr. – Several Got Away – Music Stream Bands
[ July 31, 2026 ] Visions of Atlantis announce “Reckless Sailor” preceding 2026 Tour with Kamelot – News News
[ July 30, 2026 ] Jungle Rot Announce 2026 Tour Dates supporting Vader – News News

Dale Hawkins – Wildcat Tamer – Review

June 1, 1999

One could argue that “Susie Q” (which Hawkins has re-recorded for this record) was Dale Hawkins’ moment. If that’s the case it’s a helluva moment.

Indecision – To Live and Die in New York City – Review

June 1, 1999

Although new vocalist Artie Phillie (ex-Milhouse) takes a while to get used to (he gave up his spazz growls for a traditional roar), his voice fits in.

Static-X – Wisconsin Death Trip – Review

June 1, 1999

A pretty good new metal band with plenty of Korn, Sepultura, and just enough Goth metal extravagance/weirdness to attract tattooed and overly-pierced “freaks.”

Amorphis – Tuonela – Review

June 1, 1999

As Amorphis moved through the years, they became the ultimate slash band, moving through death/doom, doom/folk and folk/death/progressive.

Immortal – In The Heart of Winter – Review

June 1, 1999

Immortal have little in common with the atmospheric, keyboard-heavy style of fellow Norwegians. They favor a rawer, more brutal assault.

Garbage – Version 2.0 – Interview

June 1, 1999

An interview with Butch Vig

Mike Ness – Cheating at Solitaire – Review

June 1, 1999

Pounding drum beats, lazy-to-furious slide guitar, impeccable production, and the man’s scratchy vocal chordage.

Spock’s Beard – Day For Night – Review

June 1, 1999

A live and bouncy power chord/keyboard hybrid that sounds like heavy Yes mixed with Kansas, popped fresh with the creative hippy spirit of Phish.

Michael Schenker Group – The Unforgiven – Review

June 1, 1999

Fat, groove-brimming riffs that borrow from the blues and the Gothic conventions that Schenker helped create, but bow to no sense of obviousness.

Spite – Bastard Complex – Review

June 1, 1999

Produced by Machine, this is foul-smelling, ground-in-dirt anger at a chaotic and fucked-up world, tearing at everything in an attempt at purification.

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