This UK duo aim to strip it bare and focus on the songwriting of their childhood heroes (Neil Young, Fleetwood Mac, Simon & Garfunkel, Crosby, Stills and Nash).
Michael Amott’s (Arch Enemy, ex-Carcass) retro rock project fights back from losing members and getting lost in the shuffle of fine bands flooding the genre.
Selective Hearing is a greatest hits record, and therefore a great introduction. The words dour and deadpan pop up in numerous reviews, as they should.
Combining cold distortion of ’90s-style dark industrial with the anthemic synthpop of 2000’s faves like Apoptygma Berzerk, including chillingly female vocals.