Now courting new Metallica, heavy Clutch, hints of hardcore, retro-punk re: Hellacopters, all anchored by cool shouty vocals and a sense of metal groove.
Rick and his band do a pretty good job of achieving a Heartbreakers-like serious rock’n’roll aesthetic, power chordage by the numbers (listen to LAMF sometime).
Not only does this instrumental trio know how to create deafening screeches and Voltron keyboard sounds, they know how, and more importantly when, to use them.
American death metal’s muscles trained by European melodies, played with attitude. Like many other half-assed heavy music singers, he should stick to screaming.
A joke side project that uses everything from gangster samples, “witty/dorky” culture, and inlay, to an Eddie and the Cruisers-esque storyline as its backbone.
A timeless sound (think Hüsker Dü, Leatherface, and what I think early Face to Face sounds like until I listen to it again), a gruff, noisy melodic pop/punk.
Non-purist rockabilly (veering toward punk more than American roots music). Paces cross over into psychobilly, but also sweet melodies and trembling passion.