Rosa Mota – Bionic – Review

October 1, 1996

One hot minute, it’s incantantory punk and Kate Pierson (or Cindy Wilson) the next, it’s string-mopped U.K. hee-hey with a sickly-sweet Pixie-sticky bassline.

Komeda – The Genius of… – Review

October 1, 1996

A retro-tinged pop sound that seems innocent enough, but is insidiously laced with a hypnotic undertow that Franz Mesmer would call “manipulative.”

Eels – Beautiful Freak – Review

October 1, 1996

It kicks off with a suite of five pretty impressive songs. The stop-start rhythms and kitchen-sink arrangement of “Novocaine For the Soul” are entertaining.

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