The interplay of three cellos on Thanks For The Ether is one of weaving, hypnotic voices, made all the more complex by the sweet voice floating over the top.
When the Day Has Broken is packed with bitterness, loathing, and an oddly hook-laden anthemic quality that can’t help but appeal to the Pearl Jam generation.
In a completely nonchalant and morose way, Palace Music (pretty much completely Will Oldham) is a Neil Young Hawks and Doves-era meandering river of quietude.
Stars on ESP is a wonderfully tedious and stupidly illuminating package of Sweet ‘n’ Low girlie vocals and surfing Beatles playing Fisher-Price equipment.