Mournfully beautiful music that’d fit with Miles Davis’ “Kind of Blue,” John Cale’s “The Academy in Peril,” Kronos Quartet’s take on Phillip Glass’ “Company.”
Lame title, yes, but “explicit lyrics” on the parental advisory sticker have been coyly replaced with “love content,” which is as poignant as it is amusing.
It’s fantastic that she writes her own lyrics and doesn’t overdo the choruses-in-English thing, but the songs simply aren’t all that catchy or interesting.
Two of Decibully’s players were in The Promise Ring’s final line-up. Those who didn’t appreciate Wood/Water are bags of wet monkey asses and obviously deaf.