From The Dominican Republic, sing entirely in Spanish, have a distinctive percussion sound/style similar to early Sep/Overdose, with hints of greatness.
Top of the nĂĽ metal shitheap. They scream, bellow, and nyah-nyah in falsetto, but throw eight parts into a song, and that’s seven more than the bottomfeeders.
As far as pure vision and scope go, this is the most breath-taking, ambitious, and experimental death metal album this year… and it’s only a side project!
Funny, Swedes like these guys helped push the whole melodic death metal thing forward, and yet these guys in particular always seem a pace behind the leaders.
NĂĽ metal morons and old metal morons both understand that “the kids” will dig Will Haven, and they’re right. Yeah. Hints. Promise. Bubbling. Keep at it kids.
From early death metal served straight-up, to blasts of blackened metal, to industrialish doom plod, Tägtgren and the boys do it with style and class.
Plenty of hoo-rah chest-thumping Rage ATM rapping and syrupy guitar chugs that stomp around in small, concentric circles, but also a strong sense of melody.