Metal/Hardcore Review – Page 263

Recent

[ December 6, 2025 ] Inferno Metal Festival Norway 2026 Announces Full Lineup – News News
[ December 5, 2025 ] Beyond The Gates Festival 2026 Reveals Third Wave of Bands – News News
[ December 4, 2025 ] Three Days Grace Announce 2026 Alienation US Tour Dates – News News
[ December 3, 2025 ] Milwaukee Metal Festival 2026 Announces Date Change – News News
[ December 2, 2025 ] Mayhem Announce Liturgy of Death, and “Weep for Nothing” Video – News News
[ December 1, 2025 ] Belphegor Announce 2026 Tour with Incantation, Hate, and Narcotic Wasteland – News News
[ November 29, 2025 ] Orbit Culture Announce 2026 North American Headline Tour Dates – News News
[ November 28, 2025 ] Celtic Frost Release Morbid Tales Fine Art and Precious Metal Collection – News News
[ November 26, 2025 ] Tribunal Support Stygian Bough on 2025 Tour – News News
[ November 25, 2025 ] Great American Ghost Release Visualizer for “Scars” + 2025 Tour Dates – News News

Mary Beats Jane – Review

December 1, 1994

These guys play power chords. Vocalist Peter Dolving screams his voice raw on topics such as relationships, sex, politics, and revolution.

Bruce Dickinson – Balls to Picasso – Review

December 1, 1994

This is no Maiden album. This is nostalgia rooted in the present, a surprising piece of work by one of the heavy metal gods himself.

B-Thong – Skinned – Review

December 1, 1994

B-Thong stomps like a sledgehammer on pavement – slow, heavy and utterly destructive.

Acid Bath – When the Kite Strings Pop – Review

December 1, 1994

Singer Dax Riggs can sing well, going from eerie quaver to low, guttural groan. The rest of the band can hang with Entombed and Carcass.

Pulp Fiction – Review

November 1, 1994

Pulp Fiction excels for its painstakingly well-written, bizarre dialogue, and character development.

Crawl – Suffer Much – Review

November 1, 1994

In a short time, this five-piece hardcore tribe have become a local club staple, and for good reason.

Tiamat – Wildhoney – Review

November 1, 1994

A slow and brooding mass of sound that has the beauty and overwhelming power of ocean waves. Furthermore, it has the lulling potential of an undertow.

Slayer – Divine Intervention – Review

November 1, 1994

Araya’s voice and bass have never sounded so harsh. Same goes for King and Hanneman; their skills seem to progress while they gleefully torment the masses.

Overdose – Progress of Decadence – Review

November 1, 1994

Brazil not only produced Sepultura, it produced Overdose. The two bands began at the same time, but Overdose has only recently made it to American ears.

Grip – Review

November 1, 1994

Better than most modern metalcore, but a weak recording.

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