Reviews – Page 1167 – Lollipop Magazine

360’s – Strawberry Stone – Review

December 1, 1994

Audrey Clark and company lead you by the ear through a trippy, psychedelic jaunt over sugar-hook daisy fields. pass the love beads, baby.

22 Brides – Review

December 1, 1994

While on the surface it usually coasts prettily along, sooner or later, a vocal snags your ear, or a powerful guitar jam gives you a start.

Prong – at The Middle East Cafe – Review

December 1, 1994

Driven by Ted Parson’s relentless hammerings and Paul Raven’s watery-deep bass, Prong locked in, becoming the savagely tight unit that’s gained them notoriety.

Pride & Glory – with Roadsaw at The Paradise – Review

December 1, 1994

Although influenced by his time with Ozzy and bands of that genre, many of Zakk’s riffs come from years of listening to the Allman Brothers and Lynyrd Skynyrd.

Orangutang – Farewell Show at The Rat – Review

December 1, 1994

Orangutang went out with a scream, not a whimper. Everyone in attendance felt it, as the band belted through a roster of songs, spanning their history.

NOFX – with Ten Foot Pole, Face to Face at Axis – Review

December 1, 1994

NOFX took the stage at Axis, heading full tilt into “Linoleum.” The crowd rushed forward until there was hardly any space on the floor.

Life of Agony – at The Rat – Review

December 1, 1994

The gut-wrenching, guitar-heavy groove takes you to the streets where reality stares you down. It will catch up with you, like a pipe on the back of your skull.

Kustomized – with Bunny Brains, Knifeboat at T.T. the Bear’s – Review

December 1, 1994

A high-speed vintage punk assault. Frontman Peter Prescott (ex-Mission of Burma/Volcano Suns), twitched and contorted his face as he sang.

Knifeboat – with Bunny Brains, Kustomized at T.T. the Bear’s – Review

December 1, 1994

Utilizing an old movie projector, cello, saxophone, poetry, and passionate, unbridled noise, Knifeboat enthralled the crowd.

Jennifer Trynin – at Local 186 – Review

December 1, 1994

The smirkingly snide contrast of a perfect pop melody armed with a loaded lyric is what makes her music so irresistible and infectious.