Miles from NY hardcore; think of Refused with the Energizer bunny up their rectums and you’d have a clearer idea of what Sweden’s The Smackdown sounds like.
Garage rock to compare to the Yeah, Yeah, Yeahs herk’n’jerk, or The Epoxies zany new wave via weirdo punk. Fuzzed-out keyboard smog populates mid-tempo grooves.
Includes the debut three-song EP, the split with Indecision (their best songs ever), the split with Another Victim, and more. They were ahead of their time.
This not only introduced a multi-faceted, technically melodic metalcore band to the world, it predates The Dillinger Escape Plan and countless rip-offs.
Deicide’s best album since Serpents of the Light. Hell, maybe it’s even better. An absolutely essential album after so many years of plopping out mediocrity.
Complicated rhythms, machine gun guitars, double-bass drums, and the operatic vocals of also guitarist Oddleif Stenslaf who aspires to Nevermore’s Warrel Dane.
Sprawling and expansive, yet it retains certain classic elements. Doom, enhanced by cavernous vocals, creates a sort of controlled black metal symphony.
Their blend of technical death, metalcore breakdowns, and grind speed is refreshing in a time when many bands seem content churning out the same old shit.