There’s something somber and sexy about a deep voice singing German. Eisheilig opens and closes their debut strongly, and they brush good points along the way.
He doesn’t mix “the hip-hop with the Southern rock” but mines a woozy out-of-time, out-of-space reality from the Eisenhower era with a similar black/white mix.
While now folks have the formula and can mass produce it, back then, it was oddball, irritating, and jarring off-the-wall unrock like nothing anyone had heard.
While now folks have the formula and can mass produce it, back then, it was oddball, irritating, and jarring off-the-wall unrock like nothing anyone had heard.
While now folks have the formula and can mass produce it, back then, it was oddball, irritating, and jarring off-the-wall unrock like nothing anyone had heard.
While now folks have the formula and can mass produce it, back then, it was oddball, irritating, and jarring off-the-wall unrock like nothing anyone had heard.
While now folks have the formula and can mass produce it, back then, it was oddball, irritating, and jarring off-the-wall unrock like nothing anyone had heard.
Greatest Hits captures many of the classics from the first couple records (Dirty Rotten EP and Dealing With It), and probably some of the Crossover shit.
Like his buddy Wild Billy Childish, Dan Melchior plunders elderly American musical styles (like, uh, rock’n’roll and blues) and then rams ’em back home.