Reviews – Page 696 – Lollipop Magazine

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The Atomic Bitchwax – Review

January 1, 2000

The Atomic Bitchwax had my immediate attention: They have the best band name; the guitarist is from Monster Magnet; there’s a naked chick on the cover.

The Appleseed Cast – Planes Mistaken For Stars – Race Car Riot – Split – Review

January 1, 2000

Three terrific bands, one small-yet-sweet package. Appleseed Cast reminds everyone that storytelling and conceptual lyric-writing is still a vital art form.

Mortician – Chainsaw Dismemberment – Review

January 1, 2000

No memorable riffs, no musical talent, nothing. There’s almost no variation between songs, and their drum machine sounds cheap.

Morella’s Forest- From Dayton with Love – Review

January 1, 2000

This forest is fuzzy with pop circuit noise and a dreamy techie nymph dancing in pink metallic sneakers. Sydney Rentz’ voice is sweet and echoey.

Ted Leo (?), Rx / Pharmacists

January 1, 2000

Sometimes there’s rhythm; other times feedback fuzz, chatter, and galactic landing noise grinds against itself like someone’s playing with the radio dial.

Mike Ness – Under the Influences – Review

January 1, 2000

Ness does a credible job of rockin’ the pre-Big E jukebox selection of hard country and hillbilly music. Credit for not pickin’ out the obvious selections.

Tanger – Review

January 1, 2000

Straight from the Touch & Go aesthetic comes Tanger, on O&O Records, but far from pop-punk. Chicago-style indie rock a la The Jesus Lizard and Shellac.

Swingin’ Utters – Brazen Head EP – Review

January 1, 2000

This new EP of unreleased songs from the Five Lessons Learned sessions sound a lot like their early singles, but is still worth the dough if you like the band.

Metroschifter – Strawberries – Review

January 1, 2000

This six-song platter is the most adventurous this unpredictable band has offered, taking the band’s unique indie/twisted rock sound beyond the status quo.

Swans – Public Castration is a Good Idea – Review

January 1, 2000

A collection of recordings from a European tour in ’86, when the music was still more brutal than beautiful.

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