Reviews – Page 807 – Lollipop Magazine

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Dust to Dust – Review

November 1, 1998

Like all Projekt albums, like all Steve Roach albums (this time with Roger King), Dust To Dust is slow, moody, and has a lot of space in it.

DJ Hardware – Soundshock Vol 2: The Trance Edition – Review

November 1, 1998

Trance can either be subtle and swaying or pulsing rhythmically, soothingly, like the consistent knocking of a radiator or the humming of a fan.

Versus – Two Cents Plus Tax – Review

November 1, 1998

Includes several original concoctions, including “Jack and Jill,” which sounds like a lounge act performing to the accompaniment of an unbalanced dishwasher.

DJ Hardware – Soundshock Vol 1: The Funky Breaks Edition – Review

November 1, 1998

I’m never really sure if this is supposed to be a various artists collection or not. Who cares, DJ Hardware presses all the right buttons on The Trance Edition.

Wizo – Kraut & Ruben – Review

November 1, 1998

An eight-song EP taking 24 minutes to run its course, opens with “Anneliese Schmidt,” and while I have no clue what they’re singing, I like singing along.

Dimitri From Paris – Sacrebleu! – Review

November 1, 1998

Lounge meets electronica in France, Breakfast at Tiffany’s as told by HAL, electric martinis… You get the idea.

Dillinger Four – Midwestern Songs of the Americas – Review

November 1, 1998

From Minneapolis, play some of the noisiest melodic punk this side of somewhere, with scratchy soundbite intros, and yelling-through-a-bullhorn vocals.

Wicked City – Review

November 1, 1998

An indie movie about running away, life on the streets of New York, temptation, danger, and friendship, Wicked City is a timeless story, but with timely music.

Digger – The Promise of an Uncertain Future – Review

November 1, 1998

Blenda rock and punk, a kinda Goo Goo Dolls lead vocal (but less enunciated), a lot of group choruses, and a surprising amount of leads wandering throughout.

Zebrahead – Review

November 1, 1998

If you got excited by Sugar Ray until you realized they were a Gap commercial, Zebrahead may redeem your misplaced faith in funky/pop/metal/hip-hop/punk.

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