Jimmy the Saint is a smoothy, a hopeless romantic, and he’s genuine. He’s falling for Dagney (Gabrielle Anwar) which is as inevitable as falling for gravity.
Telling the tale of man-eating lions who terrorized the railroad-building village of Tsavo, Africa in 1896, The Ghost and the Darkness transcends man-vs-beast.
Johnny Boy wrote a play that has something to do with why he, his girlfriend, and friend drive to New York. Inspired by either Nick Zedd or John Cassavettes.
While the ending seems almost tacked on, the flip-flopping of who’s in control and the visible click in the mind’s of the two men keeps the action tense.
Mother Night is based on the novel by Kurt Vonnegut of the same name, a bestseller, but one that is generally not as well known as some of his other books.
Whether seeping through clenched teeth, swallowed in frustration, or reaching futilely toward cloudy heavens, Maria Sjöholm layers her pain beautifully.
Driving, darkly melodic hard rock from the thoughtful side of New York’s grimy streets. If you remember Mindfunk, perhaps you’ll have a handle on Dogma.