Blood and Wine – Review

April 1, 1997

The film is filled with action although everything gets a little hectic and messy at times. But if car crashes, bloody fights, and a few mild cases of death turn you on, Blood and Wine is your cup of tea.

Lost Highway – Review

April 1, 1997

Your ability to take Lost Highway hinges upon your tolerance for ambiguity, plots that unfold intuitively rather than logically, and non-Hollywood resolutions.

Shine – Review

April 1, 1997

Focusing on classical pianist David Helfgott’s retreat into a private world, filmmaker Scott Hicks discovers a contradiction between this eccentric, slightly confused individual and the precision of delivering some of the most complex music ever written.

SubUrbia – Review

April 1, 1997

It may seem an odd pairing in certain respects – Eric (Talk Radio) Bogosian’s dark, cynical theatrical sensibilities coming head to head with Richard (Slacker) Linklater’s sweet-natured, seemingly unstructured cine-meanderings – but, in the case of subUrbia, it’s a match made in observational heaven.

Lost Highway Soundtrack – Review

April 1, 1997

David Lynch enlisted the services of Trent Reznor to compile its soundtrack, in much the same way Rezzie put together the collage for Natural Born Killers.

Keep The Beat – Review

April 1, 1997

Rare and unreleased tracks by bands of interest that aren’t rare or unreleased because they’re inferior. Their style just isn’t the primary focus of the band.

In Flight Program – Review

April 1, 1997

This is the new 26-band compilation that marks Revelation’s 50th album release. Revelation really is the epitome of what do-it-yourself punk ideals can become.

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