Lollipop Magazine

Battery – Distance – Review

August 1, 1996

A female-fronted melodic industrial electro band. They stick to the slower tempos. Maria Azevedo has a pretty voice, but that’s about as far as it goes.

Complications – Review

June 1, 1996

It’s rather strange when you get a compilation and it all sounds like the same band.

C17H19N03 – Terra Damnata – Review

June 1, 1996

C17H19NO3 is John Bergin from Trust Obey, and his album Terra Damnata expresses his deep need for a good blowjob. Or his imminent suicide. Or both.

A Few of My Favorite Things – What Goes In The Elegant Mouth – Column

May 1, 1996

Don’t you tell me smoking’s not cool. Poisonous, yes. Deadly, yes. But very cool. These coffin nails are the ultimate in sophistication.

Elend – Les Tenebres du Dehors – Review

May 1, 1996

Using opulent, romantic and classical formations, Elend twists the overly consonant traditions and skews the melodies to redirect them in the darkness.

A Few of my Favorite Things – Album That Defines… Something – Column

April 1, 1996

Laurie Anderson – Big Science – She’s strange, disturbing, and one of the most original composers I’ve ever heard. Turn all the lights off for this one.

A Few of My Favorite Things – Great Book to Read… – Column

March 1, 1996

Marquis de Sade – The 120 Days of Sodom – If anything will give you a sense of perspective, it’s this. This man was a warped genius.

A Few of My Favorite Things – The Album that Will Make Even the Squarest Person Want to Put on Black Eyeliner – Column

February 1, 1996

Dead Can Dance Into The Labyrinth – Soaring Gregorian choral music, Middle Eastern percussion, dripping Goth sentiments: This album crystallizes a lifestyle.

A Few of My Favorite Things – Hey, I Like That Black Shit – Column

February 1, 1996

The Breakfast Club – I liked the way Allie Sheedy looked, okay?

Corpus Delicti – Sarabands – Review

February 1, 1996

Sarabands twists and weaves organically. From France – country of monuments, art, and underground crypts – a country known for its decadence.