A reasonably in-depth analysis (almost two hours), and even if there’s not much new information for the hardcore geeks, the performance footage is enough.
The boys belly-flop into the deep mud-clogged river of America and belch out steel-shod blues shorn of beer rock, record collector ass-covering, and minutiae.
The jokes are funny, but the playful sensibility that includes the liberal use of fantasy sequences and riffs on other genres keeps the laughs coming as well.
Jerky handheld work, jittery jump cuts, seemingly pointless zooms, and anarchic shifts in color palette brings to mind Fincher’s Se7en and Soderbergh’s Traffic.
I enjoyed the band’s second and third releases, but their third, The Red, White & Black, was a bit of a disappointment. @ the Barfly draws heavily from RW&B.
Whereas the first two Grand Magus full-lengths were doom with a bit of classic rock and metal, Wolf’s Return is a classic metal album with just a hint of doom.