Top of the nü metal shitheap. They scream, bellow, and nyah-nyah in falsetto, but throw eight parts into a song, and that’s seven more than the bottomfeeders.
Members of the band migrated from Stuck Mojo and Life of Agony, so there’s little surprise the prevailing musical elements here are of an advanced stage.
Carlos has the skill, but his jazz isn’t top notch. Santana fans want him to rock, jazz fans want him to swing, and Divine Light doesn’t really do either.
A solid if not brilliant album. Sax, Spanish guitar and The London Session Orchestra appear in many of the tracks, helping to build layers and layers of sound.