Nice-guy punk’n’roll with hard rock touches in guitarville. Feel like they germinated out of a hopped-up power-pop combo, whittled into more of a gut punch.
Tinfoil hat “new wave” ’80s roots intensified and streamlined away from the hinky-jerkiness in favor of a pushier punk and roll take on such goofiness.
Fast rocker punk with a Stooges quote, a Motörhead rip, and a non-pop presentation that works great. Imagine a hardcore band in ’83 playing sped-up Nuge riffs.
Picking up where his previous band (Unsane) left off, Chris Spencer bores into the space between art-noise, explosive groove-grind punk roots, and death’n’roll.
Below the Sound compact dry nagging riffs with a mechanical rabbit-punch whacking from different angles until you’ve been worked over by a sock fulla golfballs.
They could gig with Yeah Yeah Yeah’s and be just fine. Clean female vocals, occasional organ fills, geeky squared-off rhythms, a bit of minimalist pretension.
Spraken ze kick ass? Deride straddle the metalized dirt rock of Speedealer, Zeke, Lambs, Suplecs, etc., and where ’80s riff-core laps up grind ‘n’ roll.