To many, Orson Welles is best known for three things: War of the Worlds, Citizen Kane, and as a (barely) walking fat joke during the last few years of his life.
Gray goes beyond the glitteringly-illustrated fan-loving texts and the jumble of apocryphal internet mutterings to create a complete academic survey of R.E.M.
The story as Bockris tells it fits snugly in the space reserved for biographies of other driven, creative men – brilliant in art, an ungodly pain to be around.
Not quite the Aesthetics of Rock for the ’90s as some have claimed (Joe Carducci’s Rock and the Pop Narcotic is) – it falls a little closer to Meltz’s Gulcher.
20 years out of print, Awopbop still holds up as a reminder of the true imperatives of rock ‘n’ roll, before commerce and significance reared their ugly heads.