Lollipop Magazine

Death By Stereo – Black Sheep Of The American Dream – Review

August 15, 2012

Blending Swedish death metal with whoa-whoa punk choruses and distinctive hardcore punk vocal attack, what’s not to love?

Death By Stereo – WTF Is Going On Around Here? – Music Stream

August 15, 2012

Blending Swedish death metal with whoa-whoa punk choruses and distinctive hardcore punk vocal attack, what’s not to love?

Rev150 – Past Present Compilation Out November 9th – News

November 3, 2011

Past Present is a collection of current bands covering classic tracks from the Revelation Records catalog.

Vans Warped Tour 2004 – Review

March 7, 2005

A compilation of the studio-recorded songs from the bands that were featured on the tour. I’m assuming they did at some point play these songs live.

Punk-O-Rama – Volume 9 – Review

March 7, 2005

Longest-running series, and a good value. They’re getting harder to discern from each other and the Warped Tour comps, but there’s always a surprise or two.

Warped Tour 2003 – Review

October 15, 2003

Everyone should stop worrying about “corporate music” ruining punk. When it’s no longer profitable to produce, they’ll stop signing.

Punk-O-Rama – 8 – Review

October 15, 2003

As established a tradition as the Warped Tour, every year Punk-O-Rama features a blend of loved and hated stalwarts from Epitaph with upstarts making a buzz.

Death By Stereo – Into The Valley of Death – Review

September 3, 2003

Fuck yeah! Proving Day of the Death was no fluke, Death By Stereo are back to show you that relevant hardcore is still alive in the 21st century.

Punk-O-Rama – The Videos Volume 1 – Review

April 18, 2003

Videos (often a few) from Rancid, Refused, Bad Religion, NOFX, Offspring, Pennywise, Millencolin, Bouncing Souls, T(I)NC, Hot Water Music, Descendents, Dropkick Murphys, Guttermouth, Division of Laura Lee, and Death By Stereo.

Punk-O-Rama – 7 – Review

November 11, 2002

The one-sheet boasts “Artists include Rancid, Bad Religion, NOFX, and Pennywise,” a quick scan of bands shows an infiltration of hipster bands and garage rock.