Disengage | Lollipop Magazine

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[ May 31, 2023 ] Twin Tribes to Tour this Fall – News News
[ May 30, 2023 ] Telekinetic Yeti announces US Summer Headlining Tour – News News
[ May 30, 2023 ] WA – Everclear w/ The Ataris and The Pink Spiders @ The Crocodile, Seattle, WA (inhouse event listing)
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[ May 30, 2023 ] MA – Everclear w/ The Ataris and The Pink Spiders @ Big Night Live, Boston, MA (inhouse event listing)
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[ May 30, 2023 ] PA – Everclear w/ The Ataris @ Rivers Casino, Philadelphia, PA (inhouse event listing)
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[ May 30, 2023 ] PA – The Metalcore Dropouts Tour Dates w/ Counterparts and Landmvrks @ The Fillmore, Philadelphia, PA (inhouse event listing)
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[ May 30, 2023 ] MA – The Metalcore Dropouts Tour Dates w/ Counterparts and Landmvrks @ The Palladium, Worcester, MA (inhouse event listing)
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[ May 29, 2023 ] Bring Me The Horizon release “LosT” + Summer Tour Dates – News News
[ May 29, 2023 ] RI – Death Ray Vision, Tree @ Alchemy, Providence, RI (inhouse event listing)
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[ May 26, 2023 ] Shinedown drops “A Symptom of Being Human” + announces Fall Tour – News News

We Reach – The Music of the Melvins – Review

March 17, 2006

The bands here lean on the whomp! Crunch! Grrr!, eng? Crunch! side of things; and it works as a piece.

Disengage – Application for an Afterlife – Review

May 12, 2005

From Cleveland, third release (last one on Man’s Ruin), not too hardcore roar, not too stoner drone, strong, dry vocals, and a nice, thick, bassy groove.

Sucking the ’70s – Review

January 3, 2003

Sucking the ’70s succeeds where so many before have failed because the concept encapsulates such a large chunk of space and encourages bands to take chances.

Emissions From the Monolith – at Nyabinghi – Review

November 8, 2002

A three-day event of heavy groovin’ bands. “Stoner Rock” being a heavy liquid amalgam of Sabbath, Soundgarden, Skynyrd, Sleep, Scientists, and ’72 (the year).

Circle of Dust – Disengage – Review

September 1, 1998

From experimental/ambient/avant noise to ripping, guitar-driven material with distorted vocals, to the throbbing percussion, Disengage speaks in many tongues.

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