Fritz Kafka – Lollipop Magazine

Recent

[ October 29, 2025 ] Avoid Announce Creature of Habit EP + Tour Dates with Belmont – News News
[ October 28, 2025 ] Vitriol to Embark on 2025 North American Headlining Tour – News News
[ October 27, 2025 ] Soulfly Announces 2025 US Tour with Go Ahead and Die – News News
[ October 25, 2025 ] Mayhem Celebrating 25 Years of Grand Declaration of War – News News
[ October 24, 2025 ] Official Iron Maiden Coloring Book Vol 3 Out Now – News News
[ October 23, 2025 ] The Last Ten Seconds Of Life Join Left To Suffer for 2026 Tour – News News
[ October 22, 2025 ] Denial of Life Release “Circle The Drain” and 2025 Tour Dates with Shai Hulud – News News
[ October 21, 2025 ] Sanguisugabogg Releases Hideous Aftermath and 2025 Fall Tour Dates – News News
[ October 20, 2025 ] The Pretty Wild Unleash New Track and 2025 Tour Dates – News News
[ October 19, 2025 ] Sugar – House of Dead Memories – Music Stream Bands

Stephanie Sayers – at T.T. the Bear’s – Review

July 1, 1995

Stephanie Sayers does her thing with a pedal steel guitar player, a cellist, and no bass. At first, this lack of low end tones struck my ear as a little weird.

Chris Whitley – at the Middle East Cafe – Review

July 1, 1995

he suffers from J. Mascis syndrome: His recording is fucking brilliant, but his live sound is so loud that you can’t tell what he’s playing.

Die Cheerleader – Son of Filth – Review

April 1, 1995

The huge and angry voice of singer Sam Ireland provides the melodic spearhead for what drives these tracks, namely bassist Debbie Quargnolo’s pounding low end.