Fritz Kafka – Lollipop Magazine

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[ April 2, 2026 ] Infected Rain Release “Stranger” and 2026 Tour Dates with Stitched Up Heart – News News
[ April 1, 2026 ] W.A.S.P. Announce the 1984 To Headless 2026 Tour with KK’s Priest – News News
[ March 30, 2026 ] Prepare The Ground Festival Reveals Full Lineup – News News
[ March 29, 2026 ] Social Distortion – Born to Kill – Music Stream Bands
[ March 28, 2026 ] Black Veil Brides Announce Vindicate and 2026 Tour Dates – News News
[ March 27, 2026 ] Great American Ghost Release digital-only, deluxe album + 2026 Tour Dates – News News
[ March 26, 2026 ] Deicide Announce 2026 North American Tour Dates – News News
[ March 25, 2026 ] Exhorder Announces Spring 2026 US Tour with Skinlab – News News
[ March 24, 2026 ] Helloween Embark on 40th Anniversary North American Tour 2026 – News News
[ March 23, 2026 ] Teenage Bottlerocket release The Invisible Man and 2026 Tour Dates – News News

Stephanie Sayers – at T.T. the Bear’s – Review

July 1, 1995

Stephanie Sayers does her thing with a pedal steel guitar player, a cellist, and no bass. At first, this lack of low end tones struck my ear as a little weird.

Chris Whitley – at the Middle East Cafe – Review

July 1, 1995

he suffers from J. Mascis syndrome: His recording is fucking brilliant, but his live sound is so loud that you can’t tell what he’s playing.

Die Cheerleader – Son of Filth – Review

April 1, 1995

The huge and angry voice of singer Sam Ireland provides the melodic spearhead for what drives these tracks, namely bassist Debbie Quargnolo’s pounding low end.