Fritz Kafka – Lollipop Magazine

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[ January 29, 2026 ] The Black Dahlia Murder Announces 2026 Headlining Tour – News News
[ January 27, 2026 ] The Academy Is… Announce First Album in 18 Years + 2026 Tour Dates – News News
[ January 24, 2026 ] Behemoth Announce Spring 2026 Headline Tour – News News
[ January 22, 2026 ] Exhorder Kick Off 2026 US Headlining Tour – News News
[ January 20, 2026 ] Blackwater Drowning unleash Obscure Sorrows + 2026 Tour Dates – News News
[ January 18, 2026 ] Spite Announce Spring 2026 New World Killer US Tour Dates – News News
[ January 17, 2026 ] Exhumed Announce Red Asphalt, plus 2026 US Tour Dates – News News
[ January 15, 2026 ] A Wilhelm Scream Announce Sixth LP and 2026 US Tour Dates – News News
[ January 13, 2026 ] The Dandy Warhols Announce Covers Album + “Kiss Off” – News News
[ January 11, 2026 ] Sigh’s Classic 1997 Albums Reissued on Peaceville – News News

Stephanie Sayers – at T.T. the Bear’s – Review

July 1, 1995

Stephanie Sayers does her thing with a pedal steel guitar player, a cellist, and no bass. At first, this lack of low end tones struck my ear as a little weird.

Chris Whitley – at the Middle East Cafe – Review

July 1, 1995

he suffers from J. Mascis syndrome: His recording is fucking brilliant, but his live sound is so loud that you can’t tell what he’s playing.

Die Cheerleader – Son of Filth – Review

April 1, 1995

The huge and angry voice of singer Sam Ireland provides the melodic spearhead for what drives these tracks, namely bassist Debbie Quargnolo’s pounding low end.