Fritz Kafka – Lollipop Magazine

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[ December 12, 2025 ] Tesla Announce Summer 2026 Tour Dates with Mötley Crüe – News News
[ December 11, 2025 ] Quicksand’s Manic Compression to be Reissued on Vinyl – News News
[ December 10, 2025 ] The Devil Wears Prada Announce Spring 2026 Tour Dates – News News
[ December 8, 2025 ] Dayseeker Announce Spring 2026 North American Tour Dates – News News
[ December 6, 2025 ] Inferno Metal Festival Norway 2026 Announces Full Lineup – News News
[ December 5, 2025 ] Beyond The Gates Festival 2026 Reveals Third Wave of Bands – News News
[ December 4, 2025 ] Three Days Grace Announce 2026 Alienation US Tour Dates – News News
[ December 3, 2025 ] Milwaukee Metal Festival 2026 Announces Date Change – News News
[ December 2, 2025 ] Mayhem Announce Liturgy of Death, and “Weep for Nothing” Video – News News
[ December 1, 2025 ] Belphegor Announce 2026 Tour with Incantation, Hate, and Narcotic Wasteland – News News

Stephanie Sayers – at T.T. the Bear’s – Review

July 1, 1995

Stephanie Sayers does her thing with a pedal steel guitar player, a cellist, and no bass. At first, this lack of low end tones struck my ear as a little weird.

Chris Whitley – at the Middle East Cafe – Review

July 1, 1995

he suffers from J. Mascis syndrome: His recording is fucking brilliant, but his live sound is so loud that you can’t tell what he’s playing.

Die Cheerleader – Son of Filth – Review

April 1, 1995

The huge and angry voice of singer Sam Ireland provides the melodic spearhead for what drives these tracks, namely bassist Debbie Quargnolo’s pounding low end.