Ditching the screaming and intense styles of their debut, going more melodic pop punk. Some of the songs are catchy and radio-friendly, about half are good.
Happy Walters combined metal and rap for Judgment Night, rock and electronic for Spawn, and rap and electronic for Blade II. As terrific/terrible as it sounds.
No One is from Chicago, combines rapcore groove and the stuttering riffs and roar/speaking styles, but they toss in a psychedelic acoustic desert stroll…