Ozzy releases an album in 1996 that rivals his Bark at the Moon, and bites the head off his own Ultimate Sin, No More Tears, and No Rest for the Wicked.
The musical experience of Control Data is dulled by its author’s heart-in-the-right-place attempt to take the weight of society’s future on his shoulders.
It seems Jawbox are back to releasing crappy albums. It’s as generic and low-impact as the countless imitators who use Government Issue’s tricks to less avail.