Lollipop Magazine

Incubus celebrates 20th anniversary with unique live CD – News

August 14, 2012

Incubus rented a Los Angeles storefront space that resulted in six nights of free performances and fan encounters now chronicled on INCUBUS HQ LIVE.

Blue Oyster Cult – Spectres – Review

April 27, 2007

An amazing piece of genre-defying high concept pop metal, an album of a type only five or so bands could ever dare issue, and all of them from the ’70s.

Uncle Tupelo – Still Feel Gone – Review

August 16, 2003

The second album is their most straight-ahead rock album, and also the weakest. The album feels like the solo work of separate artists rather than a band.

Uncle Tupelo – No Depression – Review

August 16, 2003

The band’s first album showcases the band’s punk roots most obviously. Despite the subject matter and the acoustic guitars, there’s no mistaking the punk roots.

Uncle Tupelo – March 16-20, 1992 – Review

August 16, 2003

Nearly all-acoustic and a handful of traditional folk and country covers along with some like-minded originals. Their darkest, most gripping music.

AC/DC – For Those About To Rock We Salute You – Review

August 6, 2003

Most folks know the monumental title track (the intro alone is classic), but there’re plenty of other worthwhile slabs of the band’s trademark grease-boogie.

AC/DC – Dirty Deeds Done Dirt Cheap – Review

August 6, 2003

Most hardcore fans prefer the Bon albums to those of his successor, Brian Johnson, and I’m one of them.

AC/DC – Back In Black – Review

August 6, 2003

The band’s first with quickly-drafted replacement vocalist Brian Johnson is by far the band’s most popular album, with total sales somewhere near 19 million.

AC/DC – Who Made Who – Review

August 6, 2003

Put together originally as the soundtrack to a Steven King movie that flopped, the album compiles moments from the band’s past but isn’t a greatest hits album.

AC/DC – The Razor’s Edge – Review

August 6, 2003

AC/DC prove with The Razor’s Edge that the passage of time and the ever-present cycle of trends mean nothing when compared to the majesty of rock.