Lots of drunken revelry is placed against the band taking their mission very seriously indeed, through sincere, well-meaning interview footage documenting everything from the band’s origins to their creative process.
Rather than write anything new, the band work methodically to add to a billowing cloud shaped and sharped like barbed wire tumbleweed rolling over squishy English duskscapes.
I interview rock guys two, three times a week. I use voice recognition software to transcribe these interviews. It doesn’t always come out as planned though.
Grip Inc. roars like a warhorse mismatched from three warhorses, the band fit together to make a unique cross between Slayer, Anglo hooligan hardcore, and Egyptian melodies.
I interview rock guys two, three times a week. I use voice recognition software to transcribe these interviews. It doesn’t always come out as planned though.
I interview rock guys two, three times a week. I use voice recognition software to transcribe these interviews. It doesn’t always come out as planned though.
Danny has written most of the record, but Anathema have turned in a fairly single-mooded, periodically guitary record, one that is equal parts Radiohead, Porcupine Tree, and late ’90s Anathema.
Offering everything you’d want out of a live album, Hammerfall make this thing look and sound like Live After Death. The set is spirited throughout, one show in the band’s hometown of Gothenburg, Sweden.
This collaboration between Nevermore drummer Van Williams and his buddy from back in New York, Christ Eichhorn, is a fully-fleshed, highly-technical, expertly-crafted batch of avant-garde metal wonder tracks.