Metal Blade Records – Page 34

The Crown – Crowned Unholy – Review

February 14, 2005

The “re-vocalizing” of Crowned in Terror. Original vocalist Johan Lindstrand proves he’s more dynamic, urgent, and emotive than the ex-At The Gates dude.

Starwood – If It Ain’t Broke, Break It! – Review

January 24, 2005

Lizzy Borden packaged not so secretly as a glam metal act, Starwood sound like a cross between Brides of Destruction and The Wildhearts.

Beyond the Embrace – Insect Song – Review

December 29, 2004

Capable of delivering a solid melodic death metal album, they’ve jumped into a field where the stakes are very high, and their songs just can’t compete. Yet.

Cattle Decapitation – Humanure – Review

December 27, 2004

A smoky, claustrophobic, humid form of warm death metal modernized and tenderized by grind. A much better record than the murky and befuddled To Serve Man.

The Heavils – Heavilution – Review

December 6, 2004

Cross Slipknot with Primus, Clutch, Queens Of The Stone Age, Masters of Reality, Mudvayne, Devildriver, and Thought Industry, and you’re close to The Heavils.

Cannibal Corpse – The Wretched Spawn – Review

September 27, 2004

Despite its tiresome themes of mutilation and zombification, this lives up to the band’s legacy by combining vicious technicality with bang-worthy stomps.

Vomitory – Blood Rapture – Review

August 16, 2004

For a decade and a half, this band discharged from the bowels of Venom, Death, and Deicide comes across in a sharp, swarming display of shred and skillfulness.

King Diamond – The Puppet Master – Review

June 21, 2004

Look for a few twists in the tale this time, King Diamond, for his 11th solo album adding occasional female vocals (Livia Zita), more guitar soloing, and a DVD.

Gorerotted – Only Tools and Corpses – Review

June 7, 2004

Gorecore done by the originators. Gorerotted love Carcass and The Ravenous but apparently also learned a thing or two about syncopated vocals from Deicide.

Grip Inc. – Incorporated – Review

May 23, 2004

Grip Inc. roars like a warhorse mismatched from three warhorses, the band fit together to make a unique cross between Slayer, Anglo hooligan hardcore, and Egyptian melodies.