Mike Delano – Page 85 – Lollipop Magazine

Mar De Grises – Streams Inwards – Review

August 11, 2010

A trump card during your next metal exchange. Their brand of Chilean progressive death/doom is fantastically polished yet still adventurous.

Tournament of Legends – Review

August 10, 2010

A fully-realized fighting game, with colorful characters and flashy combat, attractive battle arenas, and authoritative narration from the heavens.

Decrepit Birth – Polarity – Review

August 9, 2010

Their sound is close to the technical insanity that is in vogue, but it’s performed with a clarity that puts it far above the dregs of show-off wankery.

Brian Posehn – Fart and Wiener Jokes – Review

July 30, 2010

Some comedy albums change your outlook on the universe. Some change the course of popular culture. Fart and Wiener Jokes will make you laugh.

Singularity – Review

July 29, 2010

Singularity does a great job putting the player in the shoes of the protagonist who must manipulate time to stop Russians from triggering a catastrophic event.

The High Confessions – Turning Lead into Gold with The High Confessions – Review

July 25, 2010

The music is like dark clouds forming. It has shades of a slow-mo version of Ministry or Big Black. No surprise considering the pedigree of the group.

Sabaton – Coat of Arms – Review

July 25, 2010

There’s good-hearted hamminess to be found in most any power metal band, desperate as so many of those bands are to emulate Iron Maiden’s battle anthems.

Green Day – Rock Band – Review

July 15, 2010

Green Day may not have gotten quite the royal treatment that The Beatles did last year, but their Rock Band edition is still bursting with fan service.

Lightning Swords of Death – The Extra Dimensional Wound – Review

July 14, 2010

Metal for those who demand vocals straight from the crypt, guitar picking so fast the strings might ignite, and drums blast-beated into infinity.

Transformers – War for Cybertron – Review

July 13, 2010

Transformers: War for Cybertron likewise carves its own path, free from association with last year’s (or next year’s) feature film, and it’s much better for it.