Nuclear Blast Records – Page 32

Beauty in Darkness – Vol. 5 – Review

February 22, 2002

18 songs, 78 minutes, there’s creepy, brutal, eerie, sexy, and every combination you can imagine, and plenty you can’t until you hear these dark masters.

Benediction – Organized Chaos – Review

February 15, 2002

My love/hate relationship with Benediction continues. Love cuz I’ve been a fan since their debut, hate cuz they’ve been stagnant now for over half a decade.

Godgory – Way Beyond – Review

February 8, 2002

Mostly decent doom stutter’n’stumble, the kinda choppy, “binary”-style Meshuggah whips about, but here slinkily coils slowly around your ankles like nü metal.

Krisiun – Ageless Venomous – Review

February 2, 2002

Krisiun don’t bend my brain the way bands like Immolation and Nile do, but they continue to define their sound on their fifth collection of pure virulence.

A Tribute to The Scorpions – Review

June 4, 2001

Love at First Sting brought guitarists to their knees, something it’s time for again with all the half-assed heroes with more facial piercings than chops.

Primal Fear – Nuclear Fire – Review

June 3, 2001

What Judas Priest mighta been post-Painkiller, but while each individual aspect is top-notch, there’s something in the stitching that bugs me.

Children of Bodom – Follow the Reaper – Review

June 1, 2001

Kinda thin-sounding. The solos and fills are all right upfront (and that’s the main reason to fall at this band’s feet), but there’s just nothing brutal here.

Dismal Euphony – Python Zero – Review

June 1, 2001

While Dismal Euphony are all into insanity, dripping blood, and all sorts of the normal nonsense, they pull it off as convincingly as The Great Kat.

Theatre of Tragedy – Musique – Review

April 1, 2001

I think this is more Goth than most Goth metal cuz there’s a lot of keyboards and I sense you could dance to some of this, if you were so inclined.

Hammerfall – Renegade – Review

April 1, 2001

Twin guitar leads blaze like trick fighter pilots at an air show, chugging, melodic riffs and long, dramatic holds where the guitarist can point “look out!”