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Recent
  • [ November 11, 2025 ] Six Going On Seven announce their long-awaited return with Human Tears – News News
  • [ November 7, 2025 ] Puscifer Announces Normal Isn’t, New Video, and 2026 Tour Dates – News News
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  • [ October 31, 2025 ] Teen Mortgage Announce “Disappear” + Tour Dates – News News
  • [ October 30, 2025 ] Weedeater Announce Final Tour Dates for 2025 – News News
  • [ October 29, 2025 ] Avoid Announce Creature of Habit EP + Tour Dates with Belmont – News News
  • [ October 28, 2025 ] Vitriol to Embark on 2025 North American Headlining Tour – News News
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  • [ October 25, 2025 ] Mayhem Celebrating 25 Years of Grand Declaration of War – News News

Rasputina

Rasputina – Oh Perilous World – Review

November 1, 2008

Chamber music, cellos played by women in corsets, wildly-warbling female vocals, and dark and creepy lyrics that’d make Cannibal Corpse cower.

Ryan Obermeyer – Interview

April 18, 2005

An interview with Ryan Obermeyer

Rasputina – Frustration Plantation – Review

July 12, 2004

As all Rasputina albums should be: Reeking of mold and moss, terrible, rusting metal tools and the fascination of limb loss.

Rasputina – The Lost & Found 2nd Edition – Review

June 20, 2003

Haunted cellists Rasputina offer their dankly corset-ed Phantom of the Opera-esque renditions of more rock’n’roll favorites on The Lost and Found 2nd Edition.

Rasputina – Cabin Fever – Interview

November 8, 2002

An interview with cellist/singer Melora Creager

Rasputina – “Cabin Fever!” – Review

June 28, 2002

The rhythmic cacophony of Cabin Fever! celebrates the beauty of venomous decay while digging up sex and power from fresh, pretty deaths.

Rasputina – How We Quit The Forest – Review

January 1, 1999

These three young corset-attired women decided to innovate, grabbing Chris Vrenna (X-NIN) to help produce, bringing in an electronic aspect to the chamber trio.

Rasputina – Thanks for the Ether – Interview

October 1, 1996

An interview with vocalist/cellist Melora Creager

Rasputina – Thanks for the Ether – Review

August 1, 1996

The interplay of three cellos on Thanks For The Ether is one of weaving, hypnotic voices, made all the more complex by the sweet voice floating over the top.

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