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Recent
  • [ February 18, 2026 ] Onslaught and Warlord Announce 2026 Tour  Dates – News News
  • [ February 17, 2026 ] The Cranberries’ Reissue Remastered Version of Rare “Uncertain” EP – News News
  • [ February 16, 2026 ] Darkthrone To Release The Fist in the Face of God Box Set in March 2026 – News News
  • [ February 15, 2026 ] Sweatmaster – More! – Music Stream Bands
  • [ February 14, 2026 ] Crowbar Join Eyehategod for Second Leg of 2026 Co-Headlining Tour – News News
  • [ February 13, 2026 ] Varials Share “The Hurt Chamber” and 2026 Tour Dates – News News
  • [ February 12, 2026 ] The Last Ten Seconds of Life Confirm more 2026 US Tour Dates – News News
  • [ February 4, 2026 ] Kreator – Krushers of the World – Music Stream Bands
  • [ February 3, 2026 ] Avatar Announce Spring 2026 Tour Dates – News News
  • [ February 2, 2026 ] Archers sign to Fearless, drops “The Dirt” + 2026 Tour Dates – News News

Release Records

Amber Asylum – The Natural Philosophy of Love – Review

April 1, 1998

Like Attrition, Amber Asylum are going the Gothic Classical route, with Kris Force’s soprano graced by lulling strings and shimmering washes of cymbals.

Solarus – Empty Nature – Review

April 1, 1998

Dark dub meets My Life In The Bush Of Ghosts. A little too over-the-top to be creepy, but a good listen nonetheless.

Trial of the Bow – Rite of Passage – Review

May 1, 1997

Trial of the Bow uses middle eastern instruments and percussion, lots of reverb, and a minimalistic style of playing that allows for lots of space.

Japanese/American Noise Treaty – Review

December 1, 1995

This is NOISE. No fucking around – two full-length discs of music that makes Neubauten and Whitehose seem like Madonna. And that’s a compliment.

Malformed Earthborn – Defiance of the Ugly By the Merely Repulsive – Review

December 1, 1995

Based on their mutual appreciation of Skinny Puppy and Coil, Brutal Truth’s Danny Lilker and Scott Lewis teamed up with Napalm Death’s Shane Embury.

Trial of the Bow – Ornamentation – Review

June 1, 1995

A beautifully dark EP of Indian/Middle Eastern music without a keyboard in sight. Brooding and somber, the songs conjure images and shadows best left unspoken.

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