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Recent
  • [ July 14, 2026 ] The Black Queen Announce New Round of Fever Daydream 10th Anniversary Shows – News News
  • [ July 13, 2026 ] The Rasmus Announce First North American Headline Tour for Fall 2026 – News News
  • [ July 12, 2026 ] Modest Mouse – An Eraser and a Maze – Review Bands
  • [ July 10, 2026 ] Motionless In White Announce Fall Leg of 2026 Tour – News News
  • [ July 9, 2026 ] Armored Saint Join Metal Church on 2026 Co-Headlining Tour – News News
  • [ July 8, 2026 ] Diesel Boy Expands 2026 Cock Rock 30th Anniversary Tour – News News
  • [ July 7, 2026 ] Stryper Announce New Album + 2026 Tour Dates – News News
  • [ July 6, 2026 ] Pennywise Announce East Coast Fall Tour with Circle Jerks, H2O, Murphy’s Law – News News
  • [ July 5, 2026 ] Caroline Rose – Yip Yip Yow – Music Stream Bands
  • [ July 3, 2026 ] Nekrogoblikon Announce Fall Leg of 2026 US Tour Dates – News News

Release Records

Amber Asylum – The Natural Philosophy of Love – Review

April 1, 1998

Like Attrition, Amber Asylum are going the Gothic Classical route, with Kris Force’s soprano graced by lulling strings and shimmering washes of cymbals.

Solarus – Empty Nature – Review

April 1, 1998

Dark dub meets My Life In The Bush Of Ghosts. A little too over-the-top to be creepy, but a good listen nonetheless.

Trial of the Bow – Rite of Passage – Review

May 1, 1997

Trial of the Bow uses middle eastern instruments and percussion, lots of reverb, and a minimalistic style of playing that allows for lots of space.

Japanese/American Noise Treaty – Review

December 1, 1995

This is NOISE. No fucking around – two full-length discs of music that makes Neubauten and Whitehose seem like Madonna. And that’s a compliment.

Malformed Earthborn – Defiance of the Ugly By the Merely Repulsive – Review

December 1, 1995

Based on their mutual appreciation of Skinny Puppy and Coil, Brutal Truth’s Danny Lilker and Scott Lewis teamed up with Napalm Death’s Shane Embury.

Trial of the Bow – Ornamentation – Review

June 1, 1995

A beautifully dark EP of Indian/Middle Eastern music without a keyboard in sight. Brooding and somber, the songs conjure images and shadows best left unspoken.

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