Lollipop Magazine

Insane Clown Posse – The Great Milenko – Review

November 1, 1997

A unique blueprint that combines distinct, albeit abrasive, rap ‘n’ rant styled vocals with funky electronic percussion and a dark carnival atmosphere.

KMFDM – Beat by Beat – Review

October 1, 1997

Everything is seamlessly edited together with plenty of jump cuts. KMFDM fans will still be fans, although Blackman enthusiasts will have to look elsewhere.

Sugartooth – The Sounds of Solid – Review

September 1, 1997

If you want the ’70s with a ’90s upgrade, opt for Foreskin 500. If you want some ’90s bands doing ’70s music, think Big Chief and Uncle Joe’s Big Ol’ Driver.

ManBreak – Come and See – Review

September 1, 1997

ManBreak might tread in a marsh bloated with dead fish, but they know the formula well enough to make it to dry land.

Souls – Bird Fish or In Between – Review

July 1, 1997

Sweden’s Cecilia Nordlund understands the concept of dynamics, as she goes from soothing the listener with melodic verses to rage-fueled wailing.

Cold Cold Hearts – Review

July 1, 1997

C.C.H. features post-Bratmobilers, Erin Smith and Allison Wolfe, with two other women, all of whom seem bent on emulating Bikini Kill.

Beth Orton – Trailer Park – Review

July 1, 1997

In this age of abundant folk singers and techno technicians, it was only a matter of time before the elements converged.

Sixteen Horsepower – Sackcloth and Ashes – Review

September 1, 1996

If Echo & The Bunnymen ever soundtracked a Western directed by Sam Peckinpah, it would sound like this.