Scott Hefflon – Page 190 – Lollipop Magazine

Lambs – Review

April 1, 2001

They’re punk in that howling Misfits way, yet they have Entombed-style production to their chug. Ugly, noisy, kinda cool.

Kittie – Paperdoll EP – Review

April 1, 2001

The radio remix of “Paperdoll” and live versions of Spit’s “Spit,” “Brackish,” “Suck,” “Do You Think I’m a Whore?,” “Raven,” and the video of “Charlotte.”

Joy Electric – Unelectric – Review

April 1, 2001

Many of the songs have appeared on previous records, but these slow, touching, swirling and beautifully sad renditions were how they were originally written.

Garbage Pail – Phrases Mistaken for Band Names – Column

April 1, 2001

I kinda always thought a good Nirvana cover band name would be Nirvana-Na-Na. Maybe there already is one. Maybe there are ten, seeing as it’s unlikely any of them’ll ever get signed and need to copyright the name.

Bat Head Soup – A Tribute to Ozzy – Review

September 1, 2000

A higher echelon of has-beens assemble here to rock Ozzy tunes, replacing Ozzy’s trademark vocals with their own. Ditto with some well-respected axe-meisters.

Wish You Were Queer – Tribute to Ministry – Review

September 1, 2000

Most of the songs chosen aren’t my faves, and they all sound like Erasure or Depeche Mode on a bad day with some over-dramatic hack on vocals.

Another Prick in the Wall – Two-Part Tribute to Ministry – Review

September 1, 2000

Another Prick in the Wall has a bit more o’ the roar, but everything here is still significantly worse than the originals, so what’s the point?

Uranium 235 – Cultural Minority – Review

September 1, 2000

You gotta love it: Dancable industrial masking a penchant for pop songwriting. Sex, drugs, and mediocre dance music, huh?

Tuuli – Hotrods and Honeysuckle – Review

September 1, 2000

A little more touching Joan Jett balladry, but when they switch over to the “Do You Wanna Touch Me There” raunchy rock, that’s when my, um, ears perk up.

Josh Freese – The Notorious One Man Orgy – Review

September 1, 2000

This is Josh Freese’s first solo record. I have some serious problems with it, and it surprises me, seeing as this guy’s considered so top-notch.