Scott Hefflon – Page 318 – Lollipop Magazine

Chimera – The Day Star EP – Review

May 1, 1995

As the songs progress, the radio pop-ness wears off and the lingering effect is dreamy and beautiful.

Hagfish – Rocks Your Lame Ass – Review

May 1, 1995

Pop punk produced by Bill Stevenson & Stephan Egerton of Descendents/ALL. You know the pop-pop… pop drum style that’s been missing from ALL? Hagfish have it.

Prelude to a Lick – Column

May 1, 1995

More writers and artists stormed out, slamming the door behind them. I don’t have the heart to tell them the springs are broken and the door would slam anyway.

These Animal Men – Come On, Join The High Society – Review

May 1, 1995

These Animal Men are closer to Carter U.S.M. than the rest of the wankers. They have infectiously dippy songs with upbeat tempos that might almost be pop-punk.

Strife – at the Rat – Review

May 1, 1995

Strife is hardcore, through and through. Straight-edged, non-metal, all angst, all positive. You best be straight-edge if you expect to keep up with them.

The Joykiller – Review

May 1, 1995

The first few songs struck me as odd, but by the end, I’d grown to like the singer’s voice and really dug the piano accompaniment. A very cool punk record.

Tad – Infrared Ridinghood – Interview

May 1, 1995

An interview with Tad Doyle

Sweetie – Kill, Baby, Kill – Review

May 1, 1995

The songs on Kill, Baby, Kill are a dreamy concoction of smooth pop and ragged samples. Slick keys or distorted-rantings, Sweetie skates comfortably along.

Notary Public – with Moodcrush at The Middle East Cafe – Review

May 1, 1995

Notary Public plays a lot louder and more animately than the Goth hype and CD would have you expect. This is a very live-oriented band.

Swank – Gutless Crap for Drunk Teens – Interview

May 1, 1995

An interview with singer/guitarist Janet Egan