With snarling heavy metal guitars, a live drummer, and a trigger percussionist/sample spewer, Machines filled the stage and every molecule of air with mayhem.
From Giger-esque to Tribal, Jap art and splattering collage sleeves; Sex, Tattoos and Rock ‘N’ Roll may skimp on the sex, but displays plenty of the rest.
The sound is catchy pop rock with the mean grungy guitar trodding heavily along. They harmonize many of the choruses. The three piece can pull it off live.
Lizzie Avondet’s vocals have that gritty, early Joan Jett feel. Some choruses have haunting, Valium angel sweetness layered like a Twix, with a cookie crunch.
Many of the songs have a lapping ocean feel, a swaying groove saturated by wild guitar effects, reverbed and/or mechanized, and thundering bass and drums.