Scott Hefflon – Page 336 – Lollipop Magazine

Tree – with Bonehead, 6L6, and Stompbox at Axis – Review

April 1, 1994

Tree leapt right into “Engulfed” and didn’t let up for the rest of the night. The whole floor turned into one mass of writhing, flailing bodies.

Stompbox – with Bonehead, 6L6, and Tree at Axis – Review

April 1, 1994

Because it was his monster bellowing range that kept cracking, Erich switched to a doom metal roar and a hardcore scream.

Mutha’s Day Out – with I Mother Earth at Axis – Review

April 1, 1994

This fresh-faced young band from the sticks writes hit after hit. They even turned those memorable sing-along choruses into boot stompin’ verbal rampages.

Machines of Loving Grace – at Local 186 – Review

April 1, 1994

With snarling heavy metal guitars, a live drummer, and a trigger percussionist/sample spewer, Machines filled the stage and every molecule of air with mayhem.

I Mother Earth – with Mutha’s Day Out at Axis – Review

April 1, 1994

The sound was MUCH heavier than I’d expected from their release Dig, which is more trippy, jazzy progressive hard rock.

Bonehead – with 6L6, Stompbox, and Tree at Axis – Review

April 1, 1994

They blew off the funky, groovy little tunes from their demo and stuck with the full speed hardcore and punk rock rants that kept the crowd moving.

The Organization – Interview

April 1, 1994

An interview with singer/guitarist Rob Cavestany and drummer/singer Andy Galeon

Sex Tattoos & Rock ‘n’ Roll – Review

February 1, 1994

From Giger-esque to Tribal, Jap art and splattering collage sleeves; Sex, Tattoos and Rock ‘N’ Roll may skimp on the sex, but displays plenty of the rest.

Birdbrain – Princess – Review

February 1, 1994

The sound is catchy pop rock with the mean grungy guitar trodding heavily along. They harmonize many of the choruses. The three piece can pull it off live.

Machines of Loving Grace – Concentration – Review

February 1, 1994

The lucky 13 songs of Concentration rage with guitar-heavy metalcore, whisper dark somethings, and suck you in with pseudo-syrupy pop catchiness.