Not as mopey as what most’d consider “Goth rock,” and not as over-simplified as HIM, not as ass-tearing as Moonspell, not as sultry as Type O Negative.
While it’s melodic punk and screamo, the melodic punk sounds like Dave Smalley (look it up, kids), and the start/stop “dramatic” parts are less dumb than most.
It’s either some mop-top poserboy who turned 17 so he’s too old to be exploited by Drive-Thru, or it’s a glorious addition to the non-suck world of great pop.
Anneke’s voice soars above the tinkerings, pulses, and throbs, always sounding vaguely Irish to these ears. The catch in her throat will put a lump in yours.
Part noisy college rock (when “alternative rock” was still ROCK), part punky rock, gonzo solos, and “I need a goddamn job!” hollers over Sex Pistols swagger.
A neo-glam band who sport eyeliner and tattoos, use the word punk to mean fast, and you’ll dig it, but always be a little suspicious of how honest it is.
Adam Rich isn’t a guitar whiz, but he can sing with the guitar about as well as he can with his voice, which ain’t bad. The best tune is the dusty “Vulture.”
DFD dances naked in the back of your mind while jackhammering your defenses with coy melodies, Mike Patton theatrics, jazz sax, and death metal fist-fucking.