Rollin’ biker brew from Lee Dorrian’s Rise Above, known more for swingin’ a huge leaden dick labeled “doom” rather than this goodly chunk of rock qua rock.
Clawfinger have Faith No More tendencies, and the ability to blend huge pop choruses with samples, scratches, Meshuggah-ish riffs, and stompin’ and rompin’.
We get as much Kiss, Deep Purple, and Mountain as we do Sabbath here, all delivered with tongue-in-cheek, really playing on this whole space-brain theme.
Jerusalem is often a one chord mudbank of crumbled sludge, making just enough twists to keep us from nodding off, but really falling to the rear of the pack.